International Journal of Design & Nature and Ecodynamics, 4(2), 97-104. The Golden Ratio predicted: vision, cognition and locomotion as a single design in nature. This study suggested Golden Ratio and Fibonacci numbers as evidences of a constant universal flow motion which could further be supported by many empirical evidences from the literature. Starting from Heraclitus (535-475 BC) of Ephesus, there have been claims that all existence is in a constant flow (Panta rhei) motion. The information evolved through literature was used to construct an explanation why Golden Ratio and Fibonacci sequence existed in the universe. This study aimed to construct a philosophical theory based on a physics phenomenon that widely influenced many fields including art. This study documented literature and collected puzzling pieces from various fields such as ancient philosophers, Far East philosophies, Western philosophy, mysticism, economy, sociology, religious scriptures, botany, psychology, astronomy, physics, mathematics and evolutionary approaches.

Yet, there have been few arguments or attempts to explain real reasons behind the existence of these numbers in nature and in universe. Golden Ratio was also known as Divine Proportion since commonly observed in nature. Those two phenomena have created a considerably extensive literature but the studies mainly focused on documenting where we encounter them in human body, in nature, in plants, in animal kingdom, in art and architecture. Fibonacci sequence which is closely related to Golden Ratio was discovered by an Italian mathematician Leonardo Pisano Bigollo (1170-1250) in 1202. Golden Ratio was associated with Ancient Greek art and architecture, and named after Greek sculptor Phidias (4th and 5th Century BC). Golden Ratio and Fibonacci numbers have attracted attention from mathematicians, artists, architects, sculptors and musicians for centuries.

Fibonacci sequence spiral art